A discussion on the continuing metamorphosis of the new Sliders, Diana Davis in particular.
Keith details his first writing assignment for the season, including his disappointment over the rejection of an intriguing steampunk world where the Sliders go their separate ways.
The perils of freelance scripts, and how they can be (drastically) rewritten to conform to the producers’ vision(s) of the show.
Keith espouses on the thrills of adapting David Gerrold’s script to the fifth season, adept use of the various “worlds” of the Universal backlot, and Diana’s PDL.
Budgetary woes and formulaic scripts create less-than-thrilling nemeses for Keith, even after punching up dialog for Mallory and Rembrandt.
On an almost perfect shooting script, the crew’s reaction to a comic episode, getting sci-fi veterans for guest roles, and recycling Columbo locations.
Keith muses about race relations and creating a dynamic dance and music number on zero budget.
A pitch war erupts among the staff over who gets to write an episode with the Sliders heading off into space.
When recuperating from a joyless holiday season, what better way to get back into your work than by playing a merciless prank on a coworker?
In which many ways to kill Wade Welles are discussed, none of which are satisfactory to the audience.
Catered lunches, heavy rewrites, and prop designers get much needed call outs when Keith visits the set.
The body count of a video game in Los Vegas spurs Keith to write a vaguely moralistic tale about becoming desensitized to violence. And kidnapping. And “Shaft.”
When broad stroke stories about the Confederacy winning the Civil War need to be avoided, the Sliders crew opts to film a pirate episode, complete with walking the plank on a boat berthed in San Pedro.
When David Peckinpah suggests a caper episode, the production crew springs into action. Over lunch, of course.
Bobby D pays the set a visit while Keith reflects on standing sets, Vasquez Rocks, and ending the season with a bang.
A slide isn’t just a slide when Keith talks about transforming their midseason Geiger confrontation into their penultimate episode and showdown.
Ending a series on a cliffhanger, making potshots and fans, and giving shout outs to childhood friends — that’s “The Seer” in a nutshell.