A series of rough slides culminates in the wormhole splitting in half, sending Maggie and Quinn into a pocket universe and Rembrandt and Colin into the middle of a California under siege from the U.N. and Mexico. When the four are reunited, Quinn and Maggie experience rapid aging, and the appearance of a man claiming to be their son only complicates matters.
Thomas Mallory describes a situation where the pocket universe Quinn and Maggie slid into is collapsing, and that his Quinn and Maggie are dying of old age. He enlists Colins aid to bring the four Sliders to his world, healing Quinn and Maggie and giving them a glimpse into a reality where they were childhood sweethearts. The effort collapses the bubble universe, sending the Sliders back in time to the moment they originally arrived.
The Sliders have cash and aren’t afraid to use it. They buy the most expensive hotel room and Rembrandt throws back a couple of tequila shooters without any problem.
The poem recited by Thomas Mallory in the bubble universe is a slight variant of the original poem. The version in the show is below, the original follows afterwards.
I have been here before
But when and how I cannot tell:
I know the grass beyond the door,
The sweet keen smell,
the sighing sound, the lights around the shore.
And you have been mine before, –
How long ago I may not know:
Has this been thus before?
And shall not thus time’s eddying flight
Still with our lives restore
In death’s despite,
And day and night yield one delight once more?
Here is the poem as it appears in our universe, first published in 1863.
I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet keen smell,
The sighing sound, the lights around the shore.
You have been mine before, —
How long ago I may not know:
But just when at that swallow’s soar
Your neck turned so,
Some veil did fall, -l knew it all of yore.
Has this been thus before?
And shall not thus time’s eddying flight
Still with our lives our love restore
In death’s despite,
And day and night yield one delight once more?
Robert Dornan is a real-life state senator of California from Southern California.
It began with Netscape’s wet dream, the collapse of Microsoft. All that stock suddenly worthless… well, it created a bit of a panic in the stock market, and since it doesn’t take much to bring the whole system to its knees, everything collapsed. The U.S. wasn’t doing too good.
Enter the President of Mexico. Clearly upset with the U.S. of A over things like the Gadsden Purchase, El Presidente orders an invasion during all of the confusion and successfully reconquers portions of Southern California.
Hold on. There’s simply too much conflicting data in this episode to build an accurate model of the timeline. Robert Dornan, governor of California, is fighting Mexican forces and UN Peacekeeper that are trying to inspect things. Why? Every man, woman and child in California is equipped with an automatic weapon, and the Willie Nelson Suicide Brigades are said to have pushed the Mexican army back across the Rio Grande into Mexico. So why is Los Angeles part of Mexico. Why was it renamed Nuevo Los Angeles?
What the hell is going on?
I don’t know. But war is hell, you know.
Kari Wuhrer laughs at the possibility of Maggie Beckett developing a romance with a fellow Slider. “I’m waiting! Believe me, I’m waiting!” she says. “We do see some indications that Quinn and Maggie are struggling to develop a deeper relationship. But it’s just bits and pieces because there’s really no time for romance when you’re sliding.”
And there’s still a possible romantic entanglement with Maggie and the apparent love-doomed Quinn. “Yeah. There is a very interesting episode where it takes me through our entire courting, marriage, our children and our old age, which shows what could have been if we weren’t so stubborn.”